Deleted Traces
18’24’’ 2022 DV
Silent video installation
Directed and edited by Henry Cyer*
comprised of footage shot in forests around London, winter 2021
some of which later made it onto London Fields music video
Originally commissioned by and edited for ANA Sound label night at Ormside Projects on 07/12/2022
Installed in Ormside lounge on CRT, as an expansion of live performance in the main space
Thanks to Gus Cantor, Mike Levitt and Patricia Craciun
Available to watch for £2
*Note: The editing in this video was heavily influenced by my second viewing of Stan Brakhage’s Anticipation of the Night, during which I started to feel and hear the visual movement in the film.
The room was silent, well-lit as I, immobile, was slowly entranced by the editing, colouring and composition of the film.
I started to think of this relationship between vision and touch, movement and space, flatness and depth of field, whilst in a state of synaesthesia, which led me to edit this footage into a video installation.
18’24’’ 2022 DV
Silent video installation
Directed and edited by Henry Cyer*
comprised of footage shot in forests around London, winter 2021
some of which later made it onto London Fields music video
Originally commissioned by and edited for ANA Sound label night at Ormside Projects on 07/12/2022
Installed in Ormside lounge on CRT, as an expansion of live performance in the main space
Thanks to Gus Cantor, Mike Levitt and Patricia Craciun
Available to watch for £2
*Note: The editing in this video was heavily influenced by my second viewing of Stan Brakhage’s Anticipation of the Night, during which I started to feel and hear the visual movement in the film.
The room was silent, well-lit as I, immobile, was slowly entranced by the editing, colouring and composition of the film.
I started to think of this relationship between vision and touch, movement and space, flatness and depth of field, whilst in a state of synaesthesia, which led me to edit this footage into a video installation.